11'22" is a sound landscape / poem / art work created for FILE 2017 (Electronic
Language International Festival) using audio samples collected from electronic literature,
language, and literacy conferences. The intent is to broadly explore electronic language
through the act of listening. The work's title comes from its length, eleven minutes and
twenty two seconds.
Exhibitions
FILE 2017
Juried exhibition, international
Electronic Language International Festival
1 of 17 international artists selected
Hypersonica Program, Fiesp Cultural Center
São Paulo, Brazil
18 July-3 September 2017
Background
I created and submitted 11'22" in response to an international open call for
submissions to FILE 2017, the Electronic Language
International Festival, São Paulo, Brazil, the largest electronic art event in Latin
America. 11'22" was one of seventeen international works jury selected for the
Hypersonica Program portion of the FILE festival.
I have come to treasure listening to your works as though I were hearing an aural collage.
Thank you so much for including some of my work in these wonderful pieces!
—Marjorie Lusenbrink (AKA M.D. Coverley)
Metadata
Object: Audio
Format: mp3
Bit Rate: 356kbs
Duration: 11:22
Created: 2017
Creator: John F. Barber
Artist Statement
11'22" is a sound landscape, a sound poem, a work of sound art, based on the
computer-augmented affordances of language and literature. The intent is to broadly explore
electronic language through the act of listening. 11'22" (named for its length:
eleven minutes, twenty two seconds) is a direct nod to John Cage's 4'33", his
most famous composition and attempt to make his audiences listen.
11'22" stems from my radioELO project
where I collect, curate, and reimagine aural artifacts of electronic/generated/computational
(EGC) literature as sound based narratives. The content of 11'22" is sampled
entirely from these artifacts.
11'22" is designed to promote cross-disciplinary listening whether perceived as
soundscape, sound poem, or of sound art.