John Barber > About
For a complex human unit, I am reasonably straight forward. The information here provides insight, and either debunks or reinforces the legends. Use the menu tabs below to learn more.
Who is John Barber?
John F. Barber, PhD
The Creative Media & Digital Culture Program
Washington State University Vancouver
Vancouver, Washington, USA
email contact: jfbarber[AT]eaze[DOT]net
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John Barber (artist, scholar) Wikipedia biography
My current Curriculum Vitae is available for online reading, or download.Close
I (John Barber) am a scholar and sound artist based in Vancouver, Washington, USA. I convene with The Creative Media & Digital Culture Program at Washington State University Vancouver. My scholarship, teaching, and creative endeavors arise from the collision (collusion?) of art, humanities, and technology.
I began my academic career exploring the use of computer technology to facilitate the teaching and learning of writing. New Worlds, New Words: Exploring Pathways for Writing about and in Electronic Environments (Edited by John Barber and Dene Grigar. Hampton Press, 2001), focuses on the future of writing following its move into electronic spaces. I contributed chapters focusing on the use of mediated, electronic environments as sites for meaningful human interaction to Texts and Technology, The Online Writing Classroom, Electronic Networks, High Wired, and Studies in Technical Communication. My essays have been published in peer reviewed print journals like Readerly Writerly Text, Works and Days, Pre/Text, Leonardo Digital Reviews, Fine Art Forum, and Kairos.
My current scholarly and creative activities revolve around digital scholarship and radio art+performance+research (RARP). I have contributed chapters to Doing Digital Humanities, Vol. 2, and Contexts, Forms, and Practices of Electronic Literature. My essays have appeared in Digital Humanities Quarterly, Digital Studies/Le champ numérique, ebr, Hyperrhiz: New Media Cultures, Leonardo, MATLIT (Materialities of Literature), Scholarly Research and Communication, and others.
On a personal note, I am dynamically involved in the process of becoming. I manage life efficiently, pay my bills on time, and am acclaimed for my ability to prepare extraordinary four-course meals using only yogurt and granola. I have navigated the Mississippi River, walked the Great Wall of China, and spoken with Captain America (of Easy Rider, not Marvel comics). Learn more.Close
My work in digital scholarship is largely guided by the research question "How might digital technologies facilitate the collection, organization, and presentation of information and narrative structures?" One answer is digital archiving and curation. My interest in the temporality of writing led me to develop and curate American Dust (www.brautigan.net), the preeminent resource on the life and writings of American author Richard Brautigan. Two books, Richard Brautigan: An Annotated Bibliography (McFarland, 1990) and Richard Brautigan: Essays on the Writings and Life (McFarland, 2007), are offshoots of this work. I have contributed essays regarding Brautigan to The Honest Ulsterman, Postwar Literature 1945-1970: Research Guide to American Literature, Encyclopedia of Beat Literature, and various international literary journals. See Scholarship > Digital Scholarship.Close
As a sound artist, I explore sound-based narratives following a research focus I call Radio Art+Performance+Research (RAPR). My RAPR research focus has three parts: research and inquiry (Radio Nouspace), production and performance (Re-Imagined Radio), and my own sound explorations informed by my research and production (creative works of sound/radio art).
My creative radio and sound art work has been broadcast internationally, and featured in juried exhibitions in America, Brazil, Canada, England, Germany, Ireland, Italy, Lithuania, Macedonia, Northern Ireland, Portugal, Spain, and United Arab Emirates. See Scholarship > Radio Art+Performance+Research.Close